Leppen Leadership Award
Acceptance Speech
Wonka Ball, May 11, 2018
I've been privileged to return to the theatre at a moment when America needs the arts to help change -- not merely reflect – our troubled society. And Chicago artists have risen beautifully to that call.
I am not an activist, not much of a organizer. What I've been is visible, and audible -- a loud, obnoxious, squeaky wheel -- when my vulnerable tribe seems at even further risk. If any good has ensued, its due to the commitment and support of many others.
Emjoy Gavino, who schooled me that even we lowly actors can and should stand up to make a difference.
Kelli Simpkins, who got me back onstage for an About Face Theatre project and has encouraged me ever since.
David Zak, who had faith in me to handle a major role, though I hadn't performed one in over 12 years.
Andrew Volkoff, who trusted that my oddball casting idea for "I Am My Own Wife" wasn't just to feather an actor's cap but to bestow representation upon an entire community -- and also to gift his audience the rare privilege of a trans actor embodying a remarkable, very human, trans character.
Scott Duff, who killed it on that stage with me every night, kept up cast morale before and after the 2016 election, and who generously lends the megaphone of his radio program whenever needed.
The Goodman Theatre who helped assemble 100 key Chicago theatre makers to better understand how their artistic choices can directly impact transgender lives, and deaths.
Megan Carney, who shaped and then moderated that groundbreaking event with her signature compassion, clarity and sensitivity.
And for the 10 long years I withdrew from the theatre, struggling with gender identity and so much more, one person was there for me who -- in just about every way you can imagine -- simply would not let me disappear. Thank you Penny Slusher.
I accept this award on behalf of these persons and the vital, absolutely essential theatre company we celebrate tonight.
Thank you.
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